December 12, 2011

With care, in hopes

Reviewing Boston Baroque's Messiah.
Boston Globe, December 12, 2011.

To judge by the portion of the audience that stood for the "Hallelujah" chorus, Boston Baroque's audiences are far more contrarian than the Handel and Haydn Society's: whereas nearly everybody stood at H&H's performance, only about a third of the audience stood at Boston Baroque's.

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